Статья: ИСТОРИЯ РАННЕГО ХИП-ХОПА (2025)

1. Берман М. Все твердое растворяется в воздухе. Опыт модерности / Пер. с англ. В. Федюшина, Т. Беляковой. М.: Горизонталь, 2020.
2. Джеймисон Ф. Постмодернизм, или Культурная логика позднего капитализма / Пер. с англ. Д. Ю. Кралечкина, под науч. ред. А. А. Олейникова. М.: Издательство Института Гайдара, 2019.
3. Жижек С. Казус Брейвика, или Чего хочет Европа? // Русский журнал. 03.08.2011. URL: http://www.russ.ru/Mirovaya-povestka/Kazus-Brejvika-ili-chego-hochet-Evropa.
4. Жирар Р. Насилие и священное / Пер. с фр. Г. М. Дашевского. М.: НЛО, 2010. EDN: QPPDPP
5. Козлов А. С. Козел на саксе. М.: Вагриус, 1998.
6. Уолд Э. Как The Beatles уничтожили рок-н-ролл. Альтернативная история американской популярной музыки / Пер. с англ. А. В. Рондарева. М.: Издательский дом “Дело” РАНХиГС, 2018.
7. Урбан М. Блюз покоряет Россию // Логос. 2016. Т. 26. № 3. C. 1-217. EDN: XAHIGF
8. Хестанов Р. З. Хип-хоп: культура молодежной контрреволюции // Логос. 2016. Т. 26. № 4. С. 7-24. EDN: XAHIHT
9. ‘Taki 183’ Spawns Pen Pals // New York Times. 21.07.1971. P. 37. URL: https://www.nytimes.com/1971/07/21/archives/taki-183-spawns-pen-pals.html.
10. Bailey J. Philosophy and Hip-Hop: Ruminations on Postmodern Cultural Form. N.Y.: Palgrave Macmillan, 2014.
11. Baker S. The History of Gangster Rap From Schoolly D to Kendrick Lamar: The Rise of a Great American Art Form. N.Y.: Abrams, 2018.
12. Banes S. Breaking // That’s the Joint! The Hip-Hop Studies Reader / M. A. Neal, M. Forman (eds). N.Y.; L.: Routledge, 2004. P. 1-25.
13. Bolden T. Theorizing the Funk: An Introduction // The Funk Era and Beyond: New Perspectives on Black Popular Culture / T. Bolden (ed.). N.Y.: Palgrave Macmillan, 2008. P. 1-16.
14. Bonnette L. M. Pulse of the People: Political Rap Music and Black Politics. Philadelphia, PA: University of Pennsylvania Press, 2015.
15. Bradley A. Book of Rhymes: The Poetics of Hip Hop. N.Y.: BasicCivitas, 2009.
16. Caro R. A. The Power Broker: Robert Moses and the Fall of New York. N.Y.; Toronto: Vintage Books, 1975.
17. Castleman C. The Politics of Graffiti // That’s the Joint! The Hip-Hop Studies Reader / M. A. Neal, M. Forman (eds). N.Y.; L.: Routledge, 2004.
18. Clarke J., Hall S., Jefferson T., Roberts B. Subcultures, Cultures and Class // Resistance Through Rituals: Youth Subcultures in Postwar Britain / S. Hall, T. Jefferson (eds). L.; N.Y.: Routledge, 1991. P. 9-74.
19. Cooper M., Chalfant H. Subway Art. L.: Thames & Hudson, 1984.
20. Dembart L. Carter Takes ‘Sobering’ Trip to South Bronx // New York Times. 06.10.1977. P. 1, 18. URL: https://www.nytimes.com/1977/10/06/archives/carter-takes-sobering-trip-to-south-bronx-carter-finds-hope-amid.html.
21. Diallo D. Hip Cats in the Cradle of Rap: Hip Hop in the Bronx // Hip Hop in America: A Regional Guide. Vol. 1: East Coast and West Coast / M. Hess (ed.). Santa Barbara, CA; Denver, CO; Oxford, UK: Greenwood Press, 2010. P. 1-31.
22. Dyson M. E. Foreword // That’s the Joint! The Hip-Hop Studies Reader / M. A. Neal, M. Forman (eds). N.Y.; L.: Routledge, 2004. P. xi-xii.
23. Dyson M. E. The Culture of Hip-Hop // That’s the Joint! The Hip-Hop Studies Reader / M. A. Neal, M. Forman (eds). N.Y.; L.: Routledge, 2004. P. 61-68.
24. Edwards P. How to Rap 2: Advanced Flow and Delivery Techniques. Chicago, IL: Chicago Review Press, 2013.
25. Edwards P. How to Rap: The Art and Science of the Hip-Hop MC. Chicago, IL: Chicago Review Press, 2009.
26. Edwards P. The Concise Guide to Hip-Hop Music. N.Y.: St. Martin’s Press, 2015.
27. Fink R. Repeating Ourselves: American Minimal Music as Cultural Practice. Berkeley, CA: University of California Press, 2005.
28. Forman M.Introduction // That’s the Joint! The Hip-Hop Studies Reader / M. A. Neal, M. Forman (eds). N.Y.; L.: Routledge, 2004. P. 1-8.
29. Gates H. L., Jr. Figures in Black: Signs and the “Radical” Self. N.Y.: Oxford University Press, 1987.
30. Gates H. L., Jr. Foreword // The Anthology of Rap / A. Bradley, A. DuBois (eds.). L.; New Haven, CT: Yale University Press, 2010. P. xxii-xxvii.
31. Gates H. L., Jr. The Signifying Monkey: A Theory of African-American Literary Criticism. N.Y.; Oxford: Oxford University Press, 1988.
32. George N. Hip-Hop’s Founding Fathers Speak the Truth // That’s the Joint! The HipHop Studies Reader / M. A. Neal, M. Forman (eds). N.Y.; L.: Routledge, 2004. P. 45-55.
33. Gonzalez E. D. The Bronx. N.Y.: Columbia University Press, 2004.
34. Greene J. S. Beyond Money, Cars, and Women: Examining Black Masculinity in Hip Hop Culture. Newcastle, UK: Cambridge Scholars Publishing, 2008.
35. Harkness G. Chicago Hustle and Flow: Gangs, Gangsta Rap, and Social Class. Minneapolis, MN; L.: University of Minnesota Press, 2014.
36. Hebdige D. Rap and Hip-Hop: The New York Connection // That’s the Joint! The Hip-Hop Studies Reader / M. A. Neal, M. Forman (eds). N.Y.; L.: Routledge, 2004. P. 219-235.
37. Hebdige D. Subculture: The Meaning of Style. L.; N.Y.: Routledge, 2002.
38. Henriques J. Sonic Bodies: Reggae Sound Systems, Performance Techniques, and Ways of Knowing. N.Y.: Continuum, 2011.
39. Hess M. Beastie Boys // Icons of Hip Hop: An Encyclopedia of the Movement, Music, And Culture / M. Hess (ed.). L.; Westport: Greenwood Press, 2007. Vol. 1. P. 91-116.
40. Hoffmann F. Rhythm and Blues, Rap, and Hip-Hop. N.Y.: Facts On File, 2006.
41. Holman M. Breaking: The History // That’s the Joint! The Hip-Hop Studies Reader / M. A. Neal, M. Forman (eds). N.Y.; L.: Routledge, 2004. P. 29-44.
42. Howes K. K. Harlem Renaissance. Detroit, MI: U·X·L, 2001.
43. Icons of Hip Hop: An Encyclopedia of the Movement, Music, And Culture / M. Hess (ed.). L.; Westport: Greenwood Press, 2007. Vol. 1.
44. Jefferson T. Cultural Responses of The Teds // Resistance Through Rituals: Youth Subcultures in Postwar Britain / S. Hall, T. Jefferson (eds). L.; N.Y.: Routledge, 1991. P. 81-86.
45. Jeffries M. P. Thug Life: Race, Gender, and the Meaning of Hip-Hop. Chicago, IL; L.: The University of Chicago Press, 2011.
46. Kato M. T. From Kung Fu to Hip Hop: Globalization, Revolution, and Popular Culture. Albany, NY: SUNY Press, 2007.
47. Kitwana B. Why White Kids Love Hip Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America. N.Y.: Basic Civitas Books, 2010.
48. Kjelle M. M. Trends in Hip-Hop Dance. Hockessin, DE: Mitchell Lane Publishers, 2015.
49. Krims A. Marxist Music Analysis Without Adorno: Popular Music and Urban Geography // Analyzing Popular Music / A. F. Moore (ed.). N.Y.: Cambridge University Press, 2003. P. 131-157.
50. Krims A. Music and Urban Geography. N.Y.; L.: Routledge, 2007.
51. Laidlaw A. Blackness in the Absence of Blackness: White Appropriations of Rap Music and Hip-Hop Culture in Newcastle Upon Tyne - Explaining A Cultural Shift. PhD thesis. Loughborough: Loughborough University, 2010.
52. Li X. Black Masculinity and Hip-Hop Music: Black Gay Men Who Rap. Singapore: Palgrave Macmillan, 2019.
53. Locke A. The New Negro // The Harlem Renaissance / H. Bloom (ed.). Broomall, PA: Chelsea House Publishers, 2004. P. 161-166.
54. Macdonald N. The Graffiti Subculture: Youth, Masculinity and Identity in London and New York. Houndmills; N.Y.: Palgrave Macmillan, 2001.
55. Marshall W. Kool Herc // Icons of Hip Hop: An Encyclopedia of the Movement, Music.
56. And Culture / M. Hess (ed.). L.; Westport: Greenwood Press, 2007. Vol. 1. P. 1-26.
57. McFarland P. Chicano Rap: Gender and Violence in the Postindustrial Barrio. Austin: University of Texas Press, 2008.
58. Middlebrook J. A.Run-DMC // Icons of Hip Hop: An Encyclopedia of the Movement, Music, And Culture / M. Hess (ed.). L.; Westport: Greenwood Press, 2007. Vol. 1. P. 69-90.
59. Moskowitz D. V. Caribbean Popular Music: An Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall. Westport, CT; L.: Greenwood Press, 2006.
60. Pabon J. Physical Graffiti: The History of Hip-Hop Dance // Total Chaos: The Art and Aesthetics of Hip-Hop / J. Chang (ed.). N.Y.: BasicCivitas Books, 2006. P. 18-26.
61. Pate A. In the Heart of the Beat: The Poetry of Rap. Lanham, MD: Scarecrow Press, 2010.
62. Price E. G. Hip Hop Culture. Santa Barbara, CA; Denver, CO; Oxford, UK: ABCCLIO, 2006.
63. Rabaka R. Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement. Lanham, MD; Boulder, CO; N.Y.; Toronto; Plymouth, UK: Lexington Books, 2012.
64. Rahn J. Painting Without Permission: Hip-Hop Graffiti Subculture. Westport; L.: Bergin & Garvey, 2002.
65. Rajakumar M. Hip Hop Dance. Santa Barbara, CA: Greenwood Press, 2012.
66. Rausch A. J. I Am Hip-Hop: Conversations on the Music and Culture. Lanham, MD: Scarecrow Press, 2011.
67. Romero E. Free Stylin’: How Hip Hop Changed the Fashion Industry. Santa Barbara, CA: Praeger, 2012.
68. Rose T. Black Noise: Rap Music and Black Culture in Contemporary America. Middletown, CT: Wesleyan University Press, 1994.
69. Rose T. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop - and Why It Matters. N.Y.: Basic Books, 2008.
70. Schloss J. G. Foundation: B-Boys, B-Girls, and Hip-Hop Culture in New York. Oxford; N.Y.: Oxford University Press, 2009.
71. Schloss J. G. Making Beats: The Art of Sample-Based Hip-Hop. Middletown: Wesleyan University Press, 2004.
72. Schur R. L. Parodies of Ownership: Hip-Hop Aesthetics and Intellectual Property Law. Ann Arbor, MI: The University of Michigan Press, 2009.
73. Serrano S. The Rap Year Book: The Most Important Rap Song from Every Year Since 1979 Discussed, Debated, and Deconstructed. N.Y.: Abrams, 2015.
74. Severo R. Bronx a Symbol of America’s Woes // New York Times. 06.10.1977. P. 18. URL: https://www.nytimes.com/1977/10/06/archives/bronx-a-symbol-ofamericas-woes.html.
75. Smith K. L. Popular Dance: From Ballroom to Hip-Hop. N.Y.: Chelsea House, 2010.
76. Smith S. Hip-Hop Turntablism, Creativity and Collaboration. Farnham, UK: Ashgate, 2013.
77. Springhall J. Youth, Popular Culture and Moral Panics: Penny Gaffs to Gangsta-Rap, 1830-1996. Houndmills; L.: Macmillan Press, 1998.
78. Stoute S., Rivas M. E. The Tanning of America: How Hip-Hop Created a Culture That Rewrote the Rules of the New Economy. N.Y.: Gotham Books, 2011.
79. The Anthology of Rap / A. Bradley, A. DuBois (eds.). L.; New Haven, CT: Yale University Press, 2010.
80. Thornton S. Club Cultures: Music, Media and Subcultural Capital. Cambridge, UK: Polity Press, 1995.
81. Toop D. The Rap Attack: African Jive to New York Hip Hop. L.: Pluto Press, 1984.
82. Turner P. Hip Hop Versus Rap: The Politics of Droppin’ Knowledge. L.; N.Y.: Routledge, 2017.
83. Vernon J. Hip Hop, Hegel, and the Art of Emancipation: Let’s Get Free. Cham: Palgrave Macmillan, 2018.
84. Vincent R. Funk: The Music, The People, and the Rhythm of the One. N.Y.: St. Martin’s Press, 1996.
85. Warwick J. Singing Style and White Masculinity // The Ashgate Research Companion to Popular Musicology / D. B. Scott (ed.). Farnham, UK: Ashgate, 2009. P. 349-364.