-
Акопян Л. По следам Шенкера: редукционизм // Искусство музыки. Теория и история. № 6 (2013). С. 104-124. http://imti.sias.ru/upload/iblock/087/akopyan.pdf.
-
Власова Н. Генрих Шенкер и его аналитическая теория // Искусство музыки. Теория и история. № 6 (2012). С. 86-102. http://imti.sias.ru/upload/iblock/bc8/vlasova.pdf. EDN: ZFCUNN
-
Гарсиа Лорка Ф. Дуэнде. Тема с вариациями / пер. Н. Малиновской // Гарсиа Лорка Ф. Стихотворения. Проза. Театр. М.: Эксмо, 2014. С. 217-229.
-
Дубинец Е. Знаки звуков. О современной музыкальной нотации. Киев: Гамаюн 1999.
-
Дубинец Е. Made in the USA: Музыка - это всё, что звучит вокруг. М.: Композитор, 2006.
-
Ивашкин А. Чарлз Айвз и музыка XX века. М.: Советский композитор, 1991.
-
Манулкина О. От Айвза до Адамса: американская музыка XX века. СПб.: Издательство Ивана Лимбаха, 2010.
-
Слонимский Н. Абсолютный слух. История жизни. СПб.: Композитор, 2006.
-
Холопов Ю. Музыкально- теоретическая система Хайнриха Шенкера. М.: Композитор, 2006.
-
Цареградская Т. Сет-теория в США: Милтон Бэббитт и Аллен Форт // Искусство музыки. Теория и история. № 6 (2012). С. 157-177. http://imti.sias.ru/upload/iblock/ac9/ctaregradskaya.pdf. EDN: NUBBHJ
-
[Цареградская Т.] [Глава] 6.1. Эллиот Картер // Музыкальная культура США XX века. М.: Научно- издательский центр "Московская консерватория", 2007. С. 231-245.
-
Шнеерсон Г. О музыке живой и мертвой. Издание 2-е, переработанное и дополненное. М.: Музыка, 1964.
-
Шнеерсон Г. Портреты американских композиторов. Очерки. М.: Музыка, 1977.
-
Adamenko V. George Crumb's Channels of Mythi cation // American Music. Vol. 23. No. 3 (Autumn 2005). P. 324-354.
-
Babbitt M. [untitled review] // Journal of the American Musicological Society. No. 1 (Spring 1950). P. 57-60.
-
Babbitt M. Some Aspects of Twelve- Tone Composition // The Score. No. 12 (June 1955). P. 53-61.
-
Babbitt M. Set Structure as a Compositional Determinant // Journal of Music Theory. Vol. 5. No. 1 (Spring 1961). P. 72-94.
-
Babbitt M. Twelve- Tone Rhythmic Structure and the Electronic Medium // Perspectives of New Music. Vol. 1. No. 1 (Autumn 1962). P. 49-79.
-
Babbitt M. Who Cares if You Listen? // Contemporary Composers on Contemporary Music / Ed. by E. Schwartz and B. Childs. New York etc.: Holt, Rinehart and Winston, 1967. P. 243-250.
-
[Babbitt M.]. The Collected Essays of Milton Babbitt / Ed. S. Peles, with S. Dembski, A. Mead, and J. N. Straus. Princeton: Princeton University Press, 2003.
-
Bass R. Pitch Structures in George Crumb's Makrokosmos, Volumes I and II. PhD Dissertation. University of Texas at Austin, 1987.
-
Bass R. Sets, Scales, and Symmetries: The Pitch- Structural Basis of George Crumb's Makrokosmos I and II // Music Theory Spectrum. Vol. 13. No. 1 (Spring 1991). P. 1-20.
-
Bemman B., Meredith D. Generating New Musical Works in the Style of Milton Babbitt // Computer Music Journal. Vol. 42. No. 1 (Spring 2018). P. 60-79.
-
Bernstein Z. Thinking In and About Music. Analytical Re ections on Milton Babbitt's Music and Thought. New York: Oxford University Press, 2021.
-
Berger A. Re ections of an American Composer. Berkeley etc.: University of California Press, 2002.
-
Boretz B. Meta- Variations, IV: Analytical Fallout (I) // Perspectives of New Music. Vol. 11. No. 1 (Autumn - Winter 1972). P. 146-223.
-
Bruns S. M. ‘In stilo Mahleriano': Quotation and Allusion in the Music of George Crumb // American Music Research Center Journal. 3 (1993). P. 9-39.
-
Carbon J. Astrological Symbolic Order in George Crumb's Makrokosmos // Sonus. Vol. 10. No. 2 (Spring 1990). P. 65-80.
-
Carbon J. Astrological, Numerological, and Mythological Symbolism in George Crumb's Makrokosmos, Vol. I. Part One // Twentieth- Century Music. Vol. 2. Issue 6 (June 1995). P. 1-5.
-
Carbon J. Astrological, Numerological, and Mythological Symbolism in George Crumb's Makrokosmos, Vol. I. Part Two // Twentieth- Century Music. Vol. 2. Issue 9 (September 1995). P. 10-11.
-
Carbon J. Astrological, Numerological, and Mythological Symbolism in George Crumb's Makrokosmos, Vol. I. Part Three // Twentieth- Century Music. Vol. 2. Issue 12 (December 1995). P. 5-7.
-
Carter E. A Further Step (1958) // Carter E. Collected Essays and Lectures, 1937-1995 / Ed. by J. W. Bernard. Rochester: University of Rochester Press, 1997. P. 5-11.
-
Carter E. The Rhythmic Basis of American Music (1955) // Carter E. Collected Essays and Lectures… P. 57-62.
-
Carter E. Shop Talk by an American Composer (1960) // Carter E. Collected Essays and Lectures… P. 214-224.
-
Carter E. String Quartets Nos. 1, 1951, and 2, 1959 (1970) // Carter E. Collected Essays and Lectures… P. 231-235.
-
Carter E. The Orchestral Composer's Point of View (1970) // Carter E. Collected Essays and Lectures… P. 235-250.
-
Carter E. Double Concerto, 1961, and Duo, 1974 (1975) // Carter E. Collected Essays and Lectures… P. 258-262.
-
Carter E. Music and the Time Screen (1976) // Carter E. Collected Essays and Lectures… P. 262-281.
-
Copland A., Perlis V. Copland: 1900 through 1942. New York: St Martin's Press, 1984.
-
Emmery L.Compositional Process in Elliott Carter's String Quartets. A Study in Sketches. London and New York: Routledge, 2020.
-
Forte A. Schenker's Conception of Musical Structure // Journal of Music Theory. Vol. 3. No. 1 (1959). P. 1-30.
-
Forte A. The Structure of Atonal Music. New Haven and London: Yale University Press, 1973.
-
Forte A., Gilbert S. E.Introduction to Schenkerian Analysis. New York: W. W. Norton, 1982.
-
Gann K. American Music in the Twentieth Century. Belmont, CA: Wadsworth/Thomson Learning, 1997.
-
Gri ths P. Modern Music and After. Directions since 1945. Oxford, New York, etc.: Oxford University Press, 1995.
-
Hubbs N. The Queer Composition of America's Sound. Gay Modernists, American Music, and National Identity. Berkeley etc.: University of California Press, 2004.
-
Kramer L. Classical Music and Postmodern Knowledge. Berkeley etc.: University of California Press, 1995.
-
Lerdahl F., Jackendo R. A Generative Theory of Tonal Music. Cambridge, Mass., & London: MIT Press, 1983.
-
Lewin D. Musical Form and Transformation. Four Analytical Essays. Oxford etc.: Oxford University Press, 2007.
-
Link J. Elliott Carter's late music // Elliott Carter Studies / Ed. by M. Boland and J. Link. Cambridge etc.: Cambridge University Press, 2012. P. 33-54.
-
Mead A. W. Pitch Structure in Elliott Carter's String Quartet No. 3 // Perspectives of New Music. Vol. 22. No. 1/2 (Autumn 1983 - Summer 1984). P. 31-60.
-
Mead A. An Introduction to the Music of Milton Babbitt. Princeton, NJ: Princeton University Press, 1994.
-
Meyer L. B. Music, the Arts, and Ideas. Chicago and London: The University of Chicago Press, 1994.
-
Olmstead A. Roger Sessions and his Music. Ann Arbor: UMI Research Press, 1985.
-
Perle G. The Secret Programme of the Lyric Suite // The Musical Times. Vol. 118 (1977). P. 629-632, 709-713, 809-813.
-
Petersen N. H. Quotation and Framing: Recontextualization and Intertextuality as Newness in George Crumb's Black Angels // Contemporary Music Review. 29 (2010) 3. P. 309-321.
-
Peyser J. To Boulez and Beyond. Revised edition. Lanham etc.: The Scarecrow Press, 2008.
-
Porter A. Music of Three Seasons: 1974-1977. New York: Farrar, Straus and Giroux, 1978.
-
Prausnitz F. Roger Sessions: How a ‘Di cult' Composer Got That Way. Oxford etc.: Oxford University Press, 2002.
-
Rahn J. Basic Atonal Theory. New York: Schirmer, 1980.
-
Reise J. Rochberg the Progressive // Perspectives of New Music. Vol. 19. No. 1/2 (Autumn, 1980 - Summer, 1981). P. 395-407.
-
Ringer A. L. The Music of George Rochberg // The Musical Quarterly. 1966 (52) 4. P. 409-430. EDN: IXNMSZ
-
Rochberg G. The Aesthetics of Survival. A Composer's View of Twentieth- Century Music. Revised and Expanded Edition. Ann Arbor: The University of Michigan Press, 2004.
-
Rorem N. Critical A airs: A Composer's Journal. New York: George Braziller, 1970.
-
Rorem N. An Absolute Gift. A New Diary. New York: Simon and Schuster, 1978.
-
Rorem N. Setting the Tone: Essays and a Diary. New York: Coward Mc Cann, 1983.
-
Ross A. The Rest is Noise. Listening to the Twentieth Century. New York: Farrar, Straus and Giroux, 2007.
-
Schickele P. The De nitive Biography of P. D. Q. Bach (1807-1742)? New York: Random House, 1976.
-
Schi D. Elliott Carter - międzynarodowy temat // Nowa muzyka amerykańska. Kraków: Krakowskie Biuro Festiwalowe, 2010. S. 204-222.
-
Schuller G. A Life in Pursuit of Music and Beauty. Rochester: University of Rochester Press, 2011.
-
Schuman W. Americanism in Music: A Composer's View // Music in American Society, 1776-1976: From Puritan Hymn to Synthesizer / Ed. by G. McCue. New Brunswick, NJ: Transaction Books, 1977. P. 1-11.
-
Sessions R. How a ‘Di cult' Composer Gets That Way // Roger Sessions on Music. Collected Essays / Ed. by E. T. Cone. Princeton, NJ: Princeton University Press, 1979.
-
Swartz A. Milton Babbitt on Milton Babbitt // American Music. Vol. 3. No. 4 (Winter 1985). P. 467-473.
-
Taruskin R. The Oxford History of Western Music. In 5 vols. Vol. 5: Music in the Late Twentieth Century. Oxford, New York, etc.: Oxford University Press, 2005.
-
Thomson V. Music Right and Left. New York: Henry Hold and Company, 1951.
-
Thomson V. An Autobiography. New York: Alfred A. Knopf, 1966.
-
Thomson V. The State of Music and Other Writings / Ed. by T. Page. New York: The Library of America, 2016.
-
Wierzbicki J. Elliott Carter. Urbana etc., University of Illinois Press, 2011.
-
Zuck B. A. A History of Musical Americanism. Ann Arbor: UMI Research Press, 1980.
-
Cohen D. George Crumb: A BioBibliography. Westport CT and London: Greenwood Press, 2002.