Macrobius Ambrosius Theodosius, in his Saturnalia, draws upon the Platonic archetype in making overt allusions to the Symposium and yet follows Athenaeus, whose work he seems to know thoroughly, albeit does not acknowledge its influence openly. Besides the Greek paradigms, Macrobius used Roman models, i. e., Cicero’s dialogues, to infuse his literary banquet with Roman flavour. The author of Saturnalia was severely criticised, especially by representatives of the Quellenforschung movement in the second half of the 19 th century, for allegedly being a poor plagiarist. His compilatory method is described in this article, and two other plausible Macrobius’ sources are proposed: Juvenal’s Satires and Seneca the Younger’s On Tranquility of the Mind. In Roman History Ammianus Marcellinus depicted the people inhabiting Rome of his times as degenerate parasites hostile to any form of intellectual activity who fritter away time on vulgar entertainment and obsessively overfeed themselves. Many scenes of so-called sober merriment shared by the prominent Roman personages of the IV c. AD were, in all probability, introduced to Saturnalia to counterbalance Ammianus Marcellinus’ harsh criticism of Roman morals. Macrobius’s familiarity with both Juvenal and Seneca manifests itself in the list of similes, yet, as the author of the present article proposes, there are passages in the oeuvre of both writers that may have instilled the vision of frugality typical of Romans in Macrobius’s mind, so that he may have used images borrowed from both earlier writers to Saturnalia
In Roman literature the negative image of a stepmother exists at least from the Late Republican times onwards. The Roman authors underline the cruelty of stepmothers and their mistreatment of stepchildren. Sometimes the amorous stepmother wants to seduce her adult stepson and, after the latter repudiates her love, begins to victimize him. In Latin declamations the noverca is often presented as a venefica who, motivated mainly by quarrels over inheritance, aims to poison her stepson (or sometimes husband; in this case she tries then to shift the blame onto the stepson). Cicero, when in 66 B. C. he defended in the court a Roman knight A. Cluentius Habitus, exploits these negative stereotypes extensively. One of the main characters in his speech Pro Cluentio is the mother of his client, Sassia, who, according to Cicero, is the true soul of the accusation against Cluentius. Cicero presents Sassia not as a mother, but as a saeva noverca who hates her own son and wants to destroy him. The skilful use of these (and some other) stereotypes, which were undoubtedly shared by a large part of Cicero’s audience, as well as corresponding literary topoi probably contributed significantly to the success of Cicero’s defence.
This article compares the use of two similar ways of expressing relative future tense in Latin: the future passive infinitive and the construction fore/futurum (esse) ut. This construction is regularly found in the same contexts as the future infinitives, and may serve as an alternative for verbs lacking a supine form. What appears to be of particular interest is its widespread use in cases where a supine is available, and the future infinitive could have been used. Up to the present day, there have been very few studies on this topic. In the present study, the author aims to fill this gap and to examine the relevant syntactic constructions in the passive voice, to begin with a limited corpus of examples. Cicero’s texts were chosen as the material for the study, since they preserve the largest number of these forms, furthermore, such material allows us to conduct the study within the language of one author. The study was conducted with the help of the computer database PHI-5. Having examined the resulting sample, the author identifies tendencies typical for the use of the infinitive and the construction, as well as their pragmatic features and differences. The infinitive is used in objective contexts with a high degree of epistemic support and, as a rule, when there are valid reasons to believe that a certain event will happen. The fore ut construction in our corpus is chosen either to denote the events that were not destined to happen or to convey someone else’s opinion, and introduces a subjective and sometimes counterfactual overtone into the embedded predication. The set of verbs that occur as future infinitives and those used in the predication embedded under fore ut does not overlap, with few exceptions, which may be due to the different aspectual characteristics of these verbs.